Village Story:A modern play adapted from Village Tales by Wu Youheng in 1965. In the story, in order to open a new base, a southern guerilla under our Party decided to conquer the feudalist bastion called Peach Orchard Bastion first. So in 1947, it sent the female company commander called Liu Qin to disguise herself into the lion's mouth to call on the mass, so as to collaborate from within with forces from outside. Disguised as a middle school teacher in the bastion, Liu Qin overcame all difficulties for the mass work. On the Mid-autumn Festival night, in advantage of the ˇ®Moon Worship Ceremony', Liu Qin opened the bastion gate to conquer this reactionary bastion with the guerilla. This play is of up-and-down polt, clear-cut characters and uniform rhythm and combined dynamic state with static state as the second milestone of Cantonese Opera reform. Influenced by it, dozens of troupes with different types of drama migrated to put on this play later. There is its script in Guangdong Play Anthology by the Huacheng Publishing House. Guangdong Art Academy and China Playwrights Association Guangdong Branch also have its script.
 
 
   
Red Detachment of Women:A modern play. Zhu Hong, the heroine in the story, is forced to sell herself as a slave. Unable to bear the maltreatment and oppression of the local tyrant Nan Batian, she breaks through all barriers to join the Red Army as a member of the Red Detachment of Women. Under the cultivation of the Party, the help of the comrades in arms and the trial of the war, Zhu Hong grows up from a female slave burnt with private revenge into a proletarian soldier with the emancipation of all mankind as her own task.
 
 
   
Chui Chi Lung Calls Back:Adapted from traditional play, originally called Twice Teasing Zhou Yu and Liu Bei Takes a Consort, one of the typical swordsman Cantonese Operas.
Selected from Three Kingdoms , the story tells that in the name of affiance, Zhou Yu fools Liu Bei into crossing the river, so that he can conquer Jinzhou. Kong Ming countermines to send Chi Lung to protect Liu Bei. Later, Liu Bei is indulged in the marriage. Chi Lung rushes into the palace to call him back. Finally, Liu Bei returns to Jinzhou with his wife. Zhou Yu broils with anger at this news.
After the foundation of the People's Republic of China, many Cantonese Opera troupes used to coordinate and put on this play, especially the Foshan Cantonese Opera troupe headed by Liang Yintang. Guangdong Art Academy collects its script, and China Playwrights Association Guangdong branch collects the old scripts of Twice Teasing Zhou Yu and Interception On the River to Rescue O Dou.